- by:
- Julene Johnson
Our voice changes as we age. Although the most obvious voice changes occur in childhood and adolesence, there are a number of changes that […]
View moreOur voice changes as we age. Although the most obvious voice changes occur in childhood and adolesence, there are a number of changes that […]
View morea neurological disorder that affects the ability to process music. Amusia can affect the perception of music (e.g., recognize a familiar melody) or the […]
View moreA ventriloquial practice wherein the ventriloquist’s lips move one way and her tongue moves another way. The ventriloquist is thus able to produce the […]
View moreConsonants are classified as fricatives (generated by moving air turbulently through some part of the vocal apparatus), unvoiced plosives (bursts of air resulting from opening a […]
View moreVocal sound whose production by and relationship to one or more human bodies is made evident to a listener through acts of vocalization or […]
View moreTo an electronic musician, a formant is a peak in an audio signals’s spectral envelope. Formants are specified by giving their peak frequency, peak […]
View moreIf a recorded audio signal is nearly periodic (as is much voiced speech), it is said to have a fundamental frequency, sometimes denoted “f0” […]
View moreA term used by Roland Barthes to describe the materiality of the embodied voice: “The ‘grain’ is the body of the voice as it […]
View more“Harmonic singing” refers to various style of singing or chanting in which individual harmonic components (overtones) are perceived by listeners, such as in certain […]
View moreIntervocality is a term that ethnomusicologist Steve Feld has used to signify “the inherently dialogic and embodied qualities of speaking and hearing. Intervocality underscores […]
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